I'm getting lazy about blogging... Plus, I do want some sleep so I'll keep this (relatively) short.
...
First, the unimportant news:
- This week was a week of
politics competitions, as I watched the preliminary round of the Lucien Wang piano competition on Monday and the Tan Ngiang Khaw/Tan Ngiang Ann Memorial vocal competition on Tuesday. I saw Mr. Boris during both competitions (he adjudicated for the piano one) and he must have wondered what happened to princess, because she didn't turn up for either.
- I did my Theory on the spot again during Wednesday's lecture, and wrote 'done on the spot' and handed it in. Got 10/10.
- Some of the composers got together and started on a rock cover of the
Kyrie from the Nelson Mass. Very fun.
...
Next, the important news:
There's a new cellist in orchestra this week. And he's damn good.
...
Ok basically I was invited back to orchestra on Tuesday by none other than you know who. I shan't try to reproduce exactly what he said, but the gist of it was that he remained his double-faced, ball-less self, and denied what he said when he dumped me from platform. He even tried to pin the blame on others.
That being said, I can understand a little about the spontaneity with which he does things. He put the list up for us to sign, and then didn't even look at it. What an idiot. However, flatly denying what he did is another thing altogether. Does he truly not remember? Or is he just being a coward?
I didn't dredge up the Haydn concerto incident because it's been two and a half months.
Give him credit for sucking up to me though - he said lots of things to me, for example I was intelligent and a great player. Not like I don't know it, though. At least he swallowed his pride and said it. It sure made me feel better about coming back.
Of course it's clear that he's desperate - the single guest cellist we have isn't exactly what we'd call good - but I agreed to come back, even though he didn't apologize for anything, because I wanna bury the hatchet if an opportunity presents itself.
I don't want to hate him forever.
...
Also, this afternoon, princess was overcome with exhaustion so we cancelled date plans and she went home. That was when I took the opportunity to catch Detroit Metal City.
To make a long story short, the music wasn't death metal at all. CT's fears about DM being misrepresented generally came true. DMC's music sounded more like extreme J-rock than anything (very like X-Japan). The girl band was pop rock, and Jack's music was kinda like mainstream heavy metal.
CT also said that death metalheads seldom dress up, which is another inaccuracy about the genre presented. That being said, though, the dress of DMC smacks of a very overdone
visual kei, which identifies itself closely with Japanese rock/metal musicians.
There was also a factually not very accurate explanation of death metal near the start of the movie: it said that DM was influenced by DEATH, HELL and SATAN if I remember correctly... which, as we all know, is a characteristic which identifies more strongly with Black Metal rather than DM.
However, the movie is worth the watch for its exploration of issues pertaining to music and life, such as realization of dreams, and its laugh factor.
Recommended for any self-respecting musician, not limited to rockers.
On my listening list: Machinae Supremacy, Dethklok, Judas Priest, The Kovenant, DivineFire
Omg. When's the last time I updated?
...
T'was a hectic Sunday as I was down at Esplanade Waterfront for Noise 2009, as part of Firi's performing forces. Firi had a large group, probably the biggest of all the participants, namely:
Nadiah (vocals)
Farhana (vocals)
Kunjung (vocals)
Firi (guitar)
CT (guitar)
Me (bass)
Jeremy (keyboard)
Moses (erhu)
Zahid (drums)
Five songs were performed. Firi decided to include one of my songs too - a collaboration of sorts. It's very true, since he and CT did play major parts in helping the song take shape.
1. Reflections
2. Srikandi Sawah Padi
3. Untitled
4. The Black Antonio
5. Someone Loving Me
Anyway, we were there the whole afternoon, starting from sound check from about 130-230, then lunch followed by running through the programme in the dressing room. Running through the programme on the bass without an amp was SERIOUSLY PAINFUL, and soon enough my fingers were hurting from having to slap everything, or play super loud in order to just barely be heard.
By and by, it was time for the concert.
During the agonizing wait, I realized I was so stressed that my arms started cramping up. I was also hungry. The time by then was about 830 and my last meal was at about 3pm. Then, like an answered prayer, my little princess appeared and fed me a packet of biscuits, which made me feel better. When it was time for us to go onstage, I was rarin' to go.
The first item was going off without a hitch when I realized that my phone was in my pocket, and IT WAS NOT SWITCHED OFF. Biting my lip, I played through the song, then when Firi was talking during the lull between songs, stuck my hand in my pocket and switched it off by feel.
The rest of the songs were pretty good. The audience started clapping halfway during Srikandi, enchanted by the three pretty ladies. Zahid spaced out during Untitled, and almost didn't come in. During Black Antonio, I stepped to the front for my solo, but unfortunately I also stepped in front of the monitor, which meant that I couldn't hear myself. My solo was 'just a tad' messy, according to princess. She loved the piece though.
Firi said that the applause for Black Antonio was really loud... But of course! When the music is loud, the applause is loud. Such are the laws of live gigs... =P
I was seized with hunger after the performance, so we went for supper (Princess's mum and bro came for the concert) at a Hong Kong cafe, where we bumped into Dr Z. I also had this conversation with the manager who took our order:
"One hot milk tea please."
"Cold one is it?"
"..."
Thrill of the day.
..................
Composition seminar today consisted of improvising with the octatonic scale. Die-hard rockers as we are, CT and I got together to get something going. We were joined by Firi and Flying Sheep. with whom we presented a quartet.
So, flying sheep, how's your first experience working with rockers? =)Dr Z also picked different combinations of people to improvise. The lesson ended with the two rockers. I picked out an '80s groove utilizing a drone on the open E string, and we had one heck of a fun time.
Wish my dear princess could have been there....
I'll wrap up the post here, for I have wasted a bit too much time on it! Gotta compose til daybreak after this.
COFFEE...